Boiling Point

Now available on Netflix.

Directed by Philip Barantini and co-written alongside James Cummings, is this feature length adaptation of their own short film from 2019. Stephen Graham is Andy a talented Chef and owner of a successful restaurant. We find him heading into work, just before Christmas on what will be the busiest night of the year. A night that ramps up the pressure on him and his staff. We follow it all as we see how they react, from those that feel it intently, such as his number two Carly (Vinette Robinson) to those who are using the job as a stepping stone elsewhere and care less.

Cleverly shot in one take by Matthew Lewis, which rather than a gimmick, the technique is used brilliantly to not only build tension but also provide real depth to the story. As the camera moves we see thoughtful vignettes that move beyond life in the restaurant. Andy’s relationship with his estranged wife that we only capture in phonecalls and his strained relationship with former boss and celebrity chef Alistair (Jason Flemyng).

We see unpleasant and obnoxious customers some with racist undertones. We see a belligerent maitre d’s vulnerability exposed. A young chef who self harms. And along with those feeling the strain we see others engaged in idle chit chat. It is these tiny insight’s into life as the camera swoops by that adds so much to the story.

Graham is excellent and carries much of the film. But where Barantini is clever is he doesn’t make him the sole focus. There is brilliant supports throughout with wonderfully subtle and smart performances providing a convincing and natural feel.

Boiling point is a fine piece of work. The smart writing, performances and camera work absorb you fully. Genuinely shot in one take, which rather than a gimmick is central to the story and creates a 94 minute whirlwind tour of life, it’s stresses and strains. By the end you’ll feel you’ve lived every minute with them. But you’ll be glad you did.